Feb 19 2014
Even though 2013 saw Tom and Zip, the duo better known as Homework, take over their beloved home turf of the Netherlands and the rest of Europe – playing an insane amount of summer festivals and club gigs – it also saw the two hit a bit of a dry patch production wise. Thankfully that period is behind them and they’re back on Exploited with a vengeance.
The two tracks on this new single, although very different in nature, can best be defined as an excursion into moody yet poppy territory. A path the musical chameleons have not previously explored. The first track, ‘The Way I See It’, has been described by the twosome as an ode to their affinity for 80’s synth pop from the likes of Depeche Mode, The Human League and The Cure. Both a slow burner and a unquestionable club track the first real ‘song’ from the two Dutchmen features lyrics and vocals by an up and coming talent from Holland, Bea Anubis, whose lush singing voice can also be heard on Alex Barck’s (Jazzanova) 2013 solo album Reunion.
‘The Grind’, the down tempo 78BPM B-side, goes hand in hand with it’s A-side counterpart but is nonetheless in an entirely different ball park. It’s the answer to what would happen if an East Coast hip-hop producer shook hands with an analog synth-obsessed lunatic. At times repressed and introverted it’s an intimate jam full of small details that infuses the listener with a sense of summery yet melancholic nostalgia. A theme Homework has been known to indulge in.
Published by Edition Exploited / Highscore Publishing.
Feb 04 2014
New Claptone Single "Ghost" on Exploited features NYC Band "Clap
Your Hands Say Yeah"!
Video will be premiered this week and just has been shot in the woods of Sweden.
The upcoming single by Claptone will be released February 10th on Beatport and March 10th on all other platforms.
Multiple plays by Pete Tong on his BBC Radio 1 show over the last 3 weeks.
Early feedback by Arthur Baker, The Magician, The Rapture, Digitalism, Riva Starr, Bonde do Role, Oliver Koletzki, Tensnake, Digitalism and many more.
"Claptone is a man of mystery. Of course there are countless anonymous DJs hiding behind everything from angry-face cardboard boxes to giant cassette tapes. But Claptone takes the enigma game to the next level—not only does he flit around in a gold, pointy bird mask straight out of G-Force: Guardians of Space, he also claims to embed an entire "universe of secrets" into his sounds. Not sure what that means... maybe spectogram images a la Aphex Twin? Also, in an interview from earlier last year, he said certifiably batshit stuff like, “Over the years I’ve learned to affect every being on earth and to synchronize the noises and sounds (they produce). With my magic wand I now bring to life a universal orchestra and direct the world’s unique soundtrack.” Which is… awesome?" (Vice Thump)
"Ghost" is co-Published by Edition Exploited / Highscore Publishing.
Dec 02 2013
We're happy to announce the second single of Dino Lenny on Exploited Records which
comes with an acid techno twist by James Welsh and a remix by chart-climbers Purple Disco Machine. Published by Edition Exploited / Highscore Publishing.
Oct 15 2013
With “Toma Que Toma” Europe´s Nr.1 baile funk lover, Daniel Haaksman, returns with a club bomb that is hardly resistable. With an accordeon sound nicked from a Tarantela tune off a Spaghetti Western soundtrack, plus the trademark 808 snare roll of baile funk and the demand to “Toma Que Toma”, this track will not only be moving bundas to the ground, but packing dancefloors alike.
“Toma Que Toma” is a ubiquious saying in both Spanish and Portuguese language and was often sampled by Rio funk producers. It literally translates to “Get you some” or “Take the take” or “Drink for drink”.
Besides the party-blowing original mix, the single comes with an A1 pack of currently much hyped remixers. The remixes are kicked off by Bot, formerly of Crookers fame and now part of the Main Course collective alongside Astronomar and Neoteric, who went Jersey club style with his version of “Toma Que Toma”.
Super hot Italian stallions, Milangeles, shaped Haaksman´s tune into their trademark juke-meets-polka bounce flavour. Then it's São Paulo´s trap dons Tropkillaz who put “Toma Que Toma” on the tropical bass down low. Last but not least, it´s Waldo Squash of Belem´s Gang Do Eletro who dissolved “Toma Que Toma” into a bouncy Tecno Brega remix.
Four sizzling hot remixes, plus an original mix ready to instantly tropicalize any club, and make the crowd go “Toma Que Toma!”
Crookers: “Original version is $”
Schlachthofbronx: “Yesyes, accordeon wins!”
So Shifty: “Killer Stuff!”
Boris Dlugosch “Love the original! Full support!”
Mixhell “Amazing remixes by our n*ggaz Bot and Tropkillaz!”
Shir Khan: “Original is great!”
Bert On Beats: “Love the original and Bot remix, must have for all funkheads!”
DJ Sabo: “Original mix and Tropkillaz version for me, thanks!”
Big Dope P: “Milangeles FTW!”"
Sep 18 2013
Published by Highscore Publishing.